It's also a great chance to experiment, playing with mic selection and placement is even easier when you are working with a perfectly consistent source. Without the pressure of also trying to capture the performance, I can really focus on the tone and make sure my reamped tracks fit perfectly in the song. But, when I have the time to actually hook everything up, I always love the sounds I'm able to create by reamping. Honestly, I don't always take the time to really reamp things, I often plan on doing it, but end up just using plugins to get the sound I'm looking for, which is fine for most songs. Remember, reamping isn't an exact science, it's a creative endeavor so always be trying to do something different with it. The possibilities of reamping are only limited to what you can dream up (I always keep my ear peeled to pick up ideas from other engineers too). This can range from sending a guitar DI signal out into a real guitar amp, feeding a bass track through a vintage compressor (overdriving the input transformer and tubes of course to add extra vibe), running the vocal track through a guitar pedal, or even sending the drum mix to a speaker in the stairwell. Much like the way your guitar volume affects the character of the amp, sending the right level out of your DAW can be critical.Be sure to check out Ben's Reamping Techniques tutorial video for even more info on taking your DI sounds out of the box (and then back into the box).Īnytime you send a track 'out of the box' and run the sign al through something and record the result, that's reamping. Usually the signal you send to the amplifier will be completely unprocessed, however you may wish to experiment with gating, light compression, and EQ. Warming up the sound of the mic on the amp, rather than the DI, is the better option. While there are many fancy direct boxes, if you’re planning on reamping, you will likely find the best results are achieved through the simplest direct capture.Ī tube DI or tube preamp may be too colored and change the sound of your amp. If the performance is fine we just have to tweak the amp. Plan B: All too often we are rushed in the studio, it’s easy to make a mistake with mic position or perhaps just a bit too much overdrive than we’d like. Record with an amp simulator silently and reamp through your big rig later.īudget: There are many professionals with big amp collections offering a reamping services for much less than the cost of even renting the amp of your dreams.Įxperimentation: After you’ve got the perfect take captured you can experiment with different amp, cab, mic and positions as much as you like. The decision to reamp could be for a number of reasons:Ĭonvenience: You may like to write and record guitar parts at 3 an but your neighbors don’t just don’t understand. Double check your routing to prevent feedback. Record the amplifier as normal with one or more microphones. If the signal is noisy, try the ground lift switch. Check that you’re getting a good signal to the amplifier, adjust the output level to match a live guitar input. Connect the reamp to your pedals or amplifier with a standard instrument cable. No other tracks should be set to this output.Ĭonnect output 3 of the interface to the reamp box with a TRS to XLR-M cable. Once you have the clean DI recorded, set the track’s output to analog out 3 of your interface (you will need an interface with more than just monitor outputs). Hearing your guitar rig play itself can take some getting used to! Without the reamp box there will be an impedance mismatch and loss of tone. The goal of the reamp box is to make the amplifier react in exactly the same way a live guitar would, but with a pre-recorded audio source. A reamp box converts a low impedance, balanced line level signal to high impedance, unbalanced instrument level signal. A DI box converts a high impedance, unbalanced instrument level signal to a low impedance, balanced mic level signal. It’s often said that a reamp box is just passive DI box in reverse, which is untrue. A reamp box takes clean direct guitar or bass signal and runs it into a guitar amp if needed later on in the production process. Reamping is a technique used by recording and mixing engineers to process recorded audio with analog hardware, specifically guitar equipment. This article is provided by Audio Geek Zine.
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